The cultural layer concerns how places carry meaning: traditions, beliefs, aesthetics and rituals (Reza 2025). It resists what New Contextualist writing describes as cultural homogenisation, the ‘anywhere city’ of glass towers, shopping malls and flyovers in which local materials, traditions and narratives are sidelined (Reza and Nitu 2025).
Culture is not treated as a stylistic repertoire to be copied. The approach favours hybridisation, filtering global knowledge ‘through the lens of local climate, materials, craftsmanship, cultural norms, and aesthetic sensibilities’ (Reza 2025). In the Panatirtha thesis a philosophical tradition, Advaita or non-dualism, shaped the spatial form itself (Reza and Nitu 2025).